Fee Bros. Gin Barrel-Aged Orange Bitters

Not that long ago, I knew nothing about bitters aside from having seen yellow-capped bottles of Angostura from time to time and hearing something about it on Lynn Rossetto Kasper's The Splendid Table in the late 90s. Now I get obscure bitters delivered right to my front door.

Ellen Fee and the other folks at Fee Brothers have been good to me over the years, allowing me to try some special bitters after I fell in love with their collection. The grapefruit bitters are getting low, while the rhubarb bottle is still pretty full. But I love breaking them out for friends and family to sniff or sample in a cocktail.

You probably won't get to try this latest concoction, as only four barrels were made. Why such a small batch? Well, it's a test idea that Ellen had, and the recipe requires aging in barrels that previously held Old Tom Gin. Gin is not typically aged in wood but in skilled hands it can produce a fascinating liquor. Old Tom Gin is a lightly sweetened style that was popular in England in the 1700s and is mostly a curiosity these days.

Fee Bros. Gin Barrel-Aged Orange Bitters
Rochester, New York
5 oz.

It includes gentian and "oil of bitter orange terpeneless", which means that a certain class of organic compounds produced by certain plants (it's where we get the word turpentine) have been removed. but let's get away from chemistry (which plays a very important role in bitters production) and move on to aroma. Most orange bitters have a pretty bright and citric character, along with whatever herbs and spices were included to enhance the flavor. This is different, and the best way I could describe it is by eating orange-scented cookies around Christmas. It's a mellower, cooked orange aroma, with dark spices and juniper and all of the interesting elements leached from whatever gin was used to produce this. Slight caramelized aroma, and you'll be reminded of herbal tea.

I tried it with the pretty basic New Amsterdam gin, which is the house gin of Casa de Benito and one that is smooth but not heavily flavored in any particular direction. When combined with the Old Tom bitters, it was suddenly a much better gin. I will experiment with cocktails further, but the idea of a "gin booster" is a fascinating one and I'd like to surprise a few friends with a blind tasting.


Note: This bottle was received as a sample.

Musings on the Manhattan

As long time readers should know, though I enjoy inventing new cocktails and having fun with mixology, at heart I adore the classics. My two favorites are the Martini and Manhattan, and which one I prefer at any given moment depends a lot on mood and atmosphere and the ingredients at hand.

A bad but serviceable Martini can be made in pretty dire circumstances: a clear liquor, a shaker of ice, and a brined vegetable or strip of citrus peel, and you can achieve something bracing but able to perform the work at hand. I prefer a Martini as an aperitif, something strong but bracing and crisp that gets you ready for four courses and half a dozen different wines.

The Manhattan is different. It requires a higher degree of civilization. Whiskey/Whisky can be found everywhere, but bitters and Sweet Red Vermouth are a must, and so many bad variations are made in bars that it's often a losing proposition to order one in the first place. I once ordered said cocktail in a bar that shall not be named, and the bartender said, "Manhattan. Got it. Crown Royal and Dr. Pepper. Give me one second." And I said, "Do you kiss your mother with that mouth? Good day, sir!" I swear that the silk ribbon on my top hat positively wilted at that egregious faux pas.

Your worst Martini might have ruined rotgut vodka that spent a few hours in steel tubing, but a bad Manhattan ruins years of barrel aging in oak. Keep these things in mind when you're mixing drinks.

When I'm in the mood for a Manhattan, it's normally with the company of other guys and as a prelude to a dinner of hearty red wines and lots of rare red meat. To do it properly, you need control over your own ingredients. Better, older whiskey will make for a better Manhattan, and quality bitters are essential.

Here I lined up the various components I assembled after a long, hard day at work, and a desire for something relaxing but dignified:

• Cocktail Shaker with Ice and a Long Spoon
  
• One Shot of Gallo Red Vermouth (in place of my beloved Noilly Prat)
  
• Two shots of Michter's US*1 Single Barrel Straight Rye Whiskey
  
• Two dashes of Fee Bros. Whiskey Barrel Aged Bitters
  
• A Cherry That's Been Soaking in Bourbon for Weeks

The end result was amazing, rich and spicy and with layers and layers of complexity. Even the cherry, the weakest part of the whole cocktail, was delightful upon consumption. When you have the opportunity, take the time to craft the very model of a modern major Manhattan, and enjoy the warmth and relaxation that flows from the glass.